3.
The History of Stag Works, Portland Works & The Metal
Trades in Sheffield
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Little Sheffield
Origins and Design
The Little Mesters
Decline
Heritage
Enter the Music Industry
Little
Sheffield
Stag Works and its neighbouring Portland Works are located
in the block of buildings bounded by John Street and Hill
Street, Randall Street and Bramall Lane, within the predominantly
light industrial area between London Road and Bramall Lane.
This area, together with that covered by the Landsdowne
flats between Cemetery Road and London Road, forms the district
known on street maps as 'Little Sheffield'. Little Sheffield
is the oldest part of Sharrow.
Origins
and Design
Stag Works was built in 1870 for the production of high
quality cutlery and silverware. Together with other nearby
buildings, such as Portland Works and Kenilworth Works (both
also listed), Stag Works provided a home for Sheffield's
metal trades. The design of the building allowed cutlery
and silverware workshops to cluster round a large central
courtyard, entered through an archway, with a large number
of chimneys and flues venting the hearths inside the ground
floor workshops. The building is three stories tall on all
four sides, with a fourth story added to the front elevation
at a later date.
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The
Little Mesters
The original tenants were independent artisans known as
'Little Mesters'. The Little Mester system worked in the
interests of both the works owner and the Mesters. The manufacturers
were able to respond quickly to specialist but perhaps short
term demands without requiring major new capital investment
and the craftspeople were free to work for any employer
without being at the mercy of a single company's fortune.
The Little Mester system also provided for maximum exploitation
of the site with a number of trades within the metal industries
crowded into the site using workspaces that were flexible,
affordable but not necessarily safe.
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Decline
For much of the nineteenth century the skills and energies
of the Little Mesters helped Sheffield to achieve global
eminence for its cutlery, silverware and edge-tools, but
as the mass manufacture methods took over the buildings
that housed the Little Mesters became run down, unsafe and
neglected. Many of them have now been knocked down and much
of the City's industrial heritage has been lost. Stag Works
has survived and some of the original metal trades are still
in evidence there, particularly silver-smithing, pewtering
and precious metal work (jewellery). However the building
is now in a state of some dilapidation. There is no central
heating system, the electric wiring needs replacing, toilets
are mainly outside, and access around the building is severely
restricted and problematic.
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Heritage
Sheffield City Council and English Heritage have listed
Stag Works and neighbouring Portland Works. There is the
strong likelihood that a conservation area will be set up
in Little Sheffield to include Stag Works and Portland Works
in the future. The building may also become the focus of
a THI (Townscape Heritage Initiative) which would bring
in the Heritage Lottery Fund as an important source of match
funding for the refurbishment of Stag Works and for some
of the development and programme support within the overall
Electro Works Project.
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Enter
the Music Industry
As the traditional industries declined in Stag Works the
workshops have been progressively re-occupied by people
working in the music industry, mainly drawn there by its
cheap rents, flexible tenancies, character, location and
history.
The
current owner, Mr. Donald Peace of Sterling Stag Silver
Ltd., purchased the building in 1962, and from the mid-1960's
onwards has provided, and encouraged, music rehearsal and
studio space for a stream of bands and artists. Many of
these bands have gone on to become music industry success
stories and represent a vital part of the city's contemporary
music heritage, including Def Leppard, Pulp, Babybird, The
All Seeing I, Speedy and Blameless.
The
building now has the highest concentration of music activities
in the region, and is unique in the way these work alongside
the remaining small businesses in the metal and engineering
trades. The resulting mix and creative atmosphere is rare
and exciting. Existing music based tenants include the JuJu
Club,
Headcharge,
Bok Studios, 2 Fly Studios, Ubishi Records, Crecle Records,
Knuckle Productions, Sandman Magazine, The Axis and Heim.
Left:
Jody Wildgoose, © Cally Begg 2003
Despite
the lack of mod cons and the dilapidation and disrepair
the accommodation provided by Stag Works is still very much
in demand. It is used and sought after by existing micro
businesses, start ups, sole traders and freelancers specialising
in various aspects of the local music industry, others in
the creative industries along with the few small businesses
remaining in the traditional metal and engineering trades.
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